Monthly Archives: March 2019

Westport Island Inspired Playwright Margie Castleman-Evans

Adds her creative legacy to the continuing history of the Sortwell Chandlery

Westport Islanders who sail, motor, kayak or canoe the Sheepscot River have doubtlessly cruised past the Sortwell Chandlery. The Chandlery has been a fixture on the eastern shore of the island since the early 1800’s when it was built as a ship’s store to service vessels sailing up and down river. Later, as McCarty Landing, it served as a steamboat landing. Residents throughout history have been seafarers, farmers, and since the early 1900’s those seeking a summer refuge.

Sortwell ChandleryBeyond its more practical iterations, as a summer refuge the Chandlery has served as inspiration for many who have had the luxury of absorbing its surrounding natural beauty and calm waters from a singular perch at the tip of McCarty Cove.

Cynthia Sortwell Castleman, whose childhood summers were spent at the Chandlery, started her professional life as a writer for Life Magazine. After marrying and raising five children, she taught English and Humanities in Kentucky. While her family was young, she packed the children into the family station wagon every summer to escape the oppressive summers of Louisville, Kentucky. Her stays inspired periodic articles for Downeast Magazine and other local outlets. She called her beloved summer retreat “My Blue Heaven” and wrote a piece titled as such for John and Louise Swanton’s local history book “Westport Island Maine once Jeremysquam.”

Play posterThese days, Cynthia’s daughter, Margie Castleman Evans, the current owner of the Chandlery with her husband, Barry Evans, feels the same love — and derives the same creative inspiration — as her mother from their Westport Island summer refuge. As a lifelong artist in the performing arts, Margie’s passion has turned to the craft of playwrighting. Her first play titled Closing the Chandlery was set in the Sortwell Chandlery. The play was a semi-finalist at the National Playwrights Conference in the Eugene O’Neill Theater Center, the country’s premiere institution for new play development.

This summer, in between working with the History Committee on its “Historic Homes Tour,” which included the Chandlery, she was hard at work putting the finishing touches on her new play, We Can Eat Love. Margie’s new play will be included in the Portland Stage Studio Series for eight performances from March 22 – 31. Portland Stage is calling it “a new play with heart, soul, and a little music.”